How I work

Look hard. Decide what matters. Do the work.

Owners, boards, and operators at the turn.

Most of the work comes from three places:

Founders and owner-operators
Running a company that’s grown past what one person can hold in their head — and deciding what to change, what to keep, and who to trust with it next. Often scaling across borders.
Boards and investors
Sponsors and directors — domestic and cross-border — who need a steady pair of hands on the inside to get a real read on the business, stabilize a situation, or shepherd a leadership change.
Executives under pressure
CEOs and senior leaders working through the hardest thirty, sixty, or ninety days of their tenure — whether that’s in New York, London, Singapore, or anywhere else the business is being decided.

Every engagement is its own thing.

But the shape usually looks like this.

  1. 01

    Get an honest read

    A fast, careful look at what’s actually going on — the numbers, the operating rhythm, the people, the governance, what the market is telling you. Quantitative where it helps, conversations where it matters. No theater.

  2. 02

    Pick a short list of things that matter

    A handful of priorities you can actually run. Who owns each one, what “good” looks like in 30, 60, 90 days, and how we’ll know if it’s working.

  3. 03

    Step in and help get it done

    Depending on what you need: advisor to the CEO, executive in residence, interim COO, or someone running a specific piece of work. Close to the action, not above it.

  4. 04

    Leave it stronger than I found it

    Install the reporting, the rhythms, and the people so that the next chapter doesn’t depend on me. A good engagement ends cleanly.

“Problems … require action, however uncomfortable that may be.”

Charlie Munger quoted in Warren Buffett’s 2024 Berkshire letter

A short shelf I keep coming back to.

Not a reading list for the sake of one. These are the books, essays, and institutions I genuinely learn from — the kind of material I’d hand a client or a younger operator and say, start here.

Rows of aged cloth-bound books on a wooden library shelf, warm side light, editorial fine-art photograph.

Start a conversation

If something on your plate feels like it belongs in this conversation, write.